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Clint Eastwood bites off a bit more than he can chew as a director with Hereafter, his somber, slow-moving drama about three disparate people’s connection to the afterlife that could basically be summed up as Crash meets The Sixth Sense.

The best thing I can say about Morning Glory, a tired and predictable behind-the-morning-news-scenes comedy starring Harrison Ford, Diane Keaton and Rachel McAdams, is that Indiana Jones is somehow funnier than Annie Hall.

What was first an 88-minute French film called Pour Elle is now a 133-minute, big-studio thriller starring Russell Crowe and directed by Paul Haggis that, despite needing a bit of trimming, turns out to be a solidly entertaining effort.

Its title makes it sound like the latest installment of the Fast and the Furious franchise, but Faster is actually a stylish and surprisingly good revenge thriller starring Dwayne “The Rock” Johnson (who coincidentally appears in the fifth F&F entry next month) and Billy Bob Thornton that looks and feels a little like film [...]

The high-concept Due Date definitely delivers some laughs thanks to the odd-couple casting of Robert Downey, Jr. and Zach Galifianakis, but not quite as many as one would expect to find in a comedy featuring such highly regarded comic personas.

Having already done the underground train thing with their remake of The Taking of Pelham 123, Denzel Washington and director Tony Scott move above ground with Unstoppable, a rousing runaway train thriller co-starring Chris Pine that barrels right along and barely brakes for nuance.

It may have cost less than a million dollars to make, but the ingenious Monsters, like most sci-fi flicks nowadays, is still all about the visual effects. Only in a good way. Instead of the CGI being the show, a la 2012, it rather refreshingly serves to enhance a simple, albeit familiar, story [...]

The cinematic escapades of Swedish author Stieg Larsson’s pint-sized Goth hacker end with a whimper in The Girl Who Kicked the Hornet’s Nest, a redundant, talky and overly long affair that will probably prove a must-see for fans of the books but had me constantly checking my watch and shaking my head [...]

Boobs and blood go hand-in-hand in Piranha 3D, director Alexandre Aja’s perfectly stupid but surprisingly fun rehash of the 1978 Joe Dante classic about those nasty little man-eating fish that, while hardly the scariest of horror flicks, may make you think twice about going skinny dipping.

Milla Jovovich resumes her sexy gun-toting, zombie-butt-kicking ways in fantastic fashion in Resident Evil: Afterlife, the fourth and easily most entertaining entry in the horror-action franchise based on the best-selling videogame.